T w e n t y S i d e d
Imagine that someone makes a platforming game in the style of the classic Super Mario Brothers. Only, they replace the jump button with something crazy. Like mouse gestures. No, I don’t mean like Super Mario Galaxy where you just wave the Wiimote around to do that spin move, I mean full-on mouse gestures where you click and doodle you get your avatar to leap and jump.
It would obviously be a lot harder, assuming it was possible at all. You can’t “flutter” a gesture the way you can flutter a button. It takes longer to do a gesture than tap a button. The game would be less fluid and responsive, and the pace would have to be slower, more deliberate.
The designer could compensate by making the game more forgiving and by slowing things down. The game could be made to work in the sense that it would be playable, but mouse-gesture platforming still wouldn’t be the same gameplay.
There is a certain cathartic pleasure to playing these sorts of games. Aside from the scenery, the threadbare story, or whatever bells and whistles have been grafted onto the given title to distinguish it from the rest, the simple act of moving and jumping can be entertainment in itself. The seamless translation of player thoughts and intentions to on-screen activity – the player’s will instantly projected into an animated world – is what really defines the experience. The rest is mostly makeup. If the designer replaced buttons with mouse gestures, the game would lose more than the ease and pacing. It would lose a lot of the fun, and no degree of practice on the part of the player would make it possible to play this new game the way they played Super Mario Brothers, because there would be latency between the player’s thoughts and the gameworld.
Continue reading ⟩⟩ “The Right Toy for the Job”
