At the start of Mars, Kashley joins you and gives you a hard time about working for Cerberus. She or he pouts about not trusting you and traps you in dialogs where all of your answers come off as lame excuses. It’s largely a repeat of the frustrating conversation on Horizon, which is perplexing since lots of people said that was one of the most irritating parts of Mass Effect 2.
Arguments in Fiction
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Fiction thrives on conflict. When an author wants a couple of their characters to disagree, they can do it through dialog that reveals their values as a character and allows their personalities to drive the scene, or the writer can just have them gainsay each other in an angry voice. This is very much the latter.
In a character-driven argument, disagreement arises from differing viewpoints. Each person has a different view of the world and they each try to convince the other that their view is correct. We get tension in the story because these viewpoints reveal or highlight the personalities of the participants. It’s drama, but also two-way character development. Good stuff.
But here at the ass-end of Mass Effect, people argue and say mean things because the author needs them to be at odds. One or both parties needs to be an obstinate butthead and ignore what the other is saying. The author effectively hands one of the characters the idiot ball so the argument can take place.
Dialog from my playthrough of the game, just as Ashley and Shepard are entering the Mars installation:
Continue reading 〉〉 “Mass Effect Retrospective 36: Argument Clinic”
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