T w e n t y S i d e d

I have posited Gojira as the culmination, and arguably the pinnacle, of the giant monster movie genre for decades. While arguments can be made for various titles in the Twentieth Century, you really have to wait for the new millennium to see movies that credibly achieved the same effect as Gojira, but also upped the level of achievement or quality in some substantive way. And yet, there were dozens, if not hundreds of monster and giant monster movies through the 1950’s and 1960’s, even into the 1970’s. The movie that set the pattern for many of these, at least in America, was

Continue reading ⟩⟩ “Years of Infamy”

Paige Francis He/him

The two 1933 King Kong movies introduced, or at least emphasized, a key concept for a new genre of movie: the GIANT monster. But despite his size, Kong very definitely fit into the type of monster movie that had been a staple of early FX movies practically from the beginning of the technology. Quite possibly the first thing filmmakers thought of when contemplating “what ELSE can we make movies of?” was dinosaurs. The idea that giant fossilized bones belonged to ancient giant reptiles had only been proposed around 1842, fifty years prior to the invention of “moving pictures.” But as thrilling as these early fantastical depictions of dinosaurs were, the humans that encountered them were awed more by the discovery than the threat to life and limb. Dinosaurs could be killed or driven off with guns and spears. Likewise, Kong was defeated by machine guns (I mean, you can argue it was technically the *fall* that killed him, but you get it.) So at least on the surface of the story, Kong was just another animal to be overcome. It wasn’t until the years following World War Two that an elevating influence was added to the giant monster formula, creating a new threat.

Continue reading ⟩⟩ “Crossroads and Random Collisions”

Paige Francis He/him