T w e n t y S i d e d

At the halfway point of the episode, Matt and Emily get cornered by an all-male group of deer. Allow me to say this:

NO. I’m sorry, but extra-NO. This is ridiculous on so many levels. Deer do not travel in packs like wolves. But even if they did for some reason, they definitely wouldn’t form an all-male gang like this. And even if they did, they wouldn’t randomly approach human beings. And even if the deer were upset, they would either fight or bolt, because there is nothing to motivate these deer to approach these particular humans. And even if there was, this clearly can’t be part of the killer’s plan, which means this strangeness is just happening randomly in the middle of an ongoing but totally unrelated disaster. These scene couldn’t be more absurd if Matt and Emily were suddenly crushed by a giant Monty Python foot.

ANYWAY…

Continue reading ⟩⟩ “Until Dawn EP12: Dano Cliff”

Shamus Young is a programmer, an author, and nearly a composer. He works on this site full time. If you'd like to support him, you can do so via Patreon or PayPal.

I know I’m ranting about how dumb Mike is, but if I was playing this would probably be my favorite part of the game. There’s some suspense and atmosphere, and most of the gameplay is exploration-based. I know I’m picking on the coat thing, but that’s not really a problem. Mike’s continued survival is easily within the bounds of movie physics.

Personally, I like this adventure-game stuff better than the bits where you have to decide which idiotic and counter-productive thing you want to make your current Dumb Teenager say. It’s not that the teens should be “smart”. They’re acting according to tropes and that’s all good. It’s just that I don’t find that stuff to be really interesting or fun from a gameplay perspective.

The one misstep here is that Mike has seemingly abandoned Jess. I know that she technically could have diedOr possibly “died”, I’m not sure where all of this horror stuff is going just yet, aside from the fact that I know not everything is as it seems. in the previous sequence if Mike had botched the chase. But as it stands, it seems like she might be alive. Mike is trying to be the Big Dang Hero, but leaving her to freeze to death at the bottom of the elevator shaft seems pretty un-heroic. I think this could have been fixed if they just contrived a clear reason why Mike couldn’t possibly follow her.

Shamus Young is a programmer, an author, and nearly a composer. He works on this site full time. If you'd like to support him, you can do so via Patreon or PayPal.

I was originally going to title this episode Ceci n’est pas une Peter Stormare based on the joke / reference Chris made. I changed it for two reasons:

1. I’m wary that the too-smart-by-half Google curation bot would assume the episode was in French and would begin offering it to French-speaking viewers and not suggesting it to English speakers.
2. I was wary of a wave of pedants informing me that “Ceci n’est pas une Peter Stormare” is grammatically incorrect.

The section where Mike is wandering around alone doing adventure game stuff while carrying a light source feels really Silent Hill-ish. I’m not saying it’s as good as Silent Hill or anything. Even Silent Hill isn’t as good as Silent Hill. The “Silent Hill experience” that fans love actually only existed for a moment in the history of the series, and it feels like an accident among the mediocrity. In fact, I’m pretty sure my entire relationship with the survival horror genre is a hopeless search for something that can hit that Silent Hill 2 note again.

For me, nothing else has really come close. Sure, there have been good games in the genre. Several of them might have done just as well on the scare-o-meter. But nothing else has quite nailed that same balance of immersion, existential dread, mystery, paranoia, and character revelation / development. It’s been 16 years, and since then AAA game designers have completely forgotten what made the game work in the first place. Either they assume that “stiff, frustrating combat is the point of the game”, or they attempt to “fix” the combat by “modernizing” it.

I think to make something like Silent Hill 2, you have to start with the writing, and allow that to inform your environment and monster designs, which will then shape your gameplay. But if you’re thinking you can take some standard gameplay and re-skin it with spooky monsters and scenery, then you’re never going to get there. Sure, you’ll make something spoopy and annoying whelps will dutifully scream at the surprise blood and the roaring monsters on their livestreams, but years later your game will be forgotten and fans will still be talking about Silent Hill 2 and waiting for the lightning to strike a second time.

I guess what I’m saying is that the AAA industry as it exists now is physically incapable of supporting the kind of auteur that could make another Silent Hill 2 happen.

Shamus Young is a programmer, an author, and nearly a composer. He works on this site full time. If you'd like to support him, you can do so via Patreon or PayPal.