Last week I wrote about Batman’s potential for variety. Variety thrives best when anchored to a strong core, and Batman has a strong core. You have the suit, the logo, the batcave, the batmobile, Alfred, and the rogue’s gallery. Add to that the various ephemera: sometimes there’s Robin, sometimes not, sometimes the gadgetry is emphasized, sometimes not, sometimes Batman is more of a conventional superhero and sometimes it’s something more like a detective story.
That’s the practical core of Batman, but there’s also a moral core. And it’s not the no-killing rule, if that’s the thing you just thought of. In case you haven’t already read it, Shamus wrote some good stuff on that. To me the moral core of Batman is the acknowledgment that Batman is a vigilante. Many or even most superheroes are vigilantes in practice, but their narratives rarely acknowledge that. In Batman, or at least Batman at its best, it’s written into the story somehow, even if it’s only in the background.
Every American probably has their own thing about this country that especially bugs them. In fact, I have several. But our collective infatuation with vigilante fantasies is at or near the top of my list. I can personally tell you that my heart sank a bit when I learned they were rebooting the Death Wish franchise. And yet I’m a big Batman fan. So what gives? Part of it is that Death Wish protagonist Paul Kersey doesn’t have a grappling hook, or even a cape. But the bigger part is that Batman at its best handles the vigilante subject in the right way.
To cite an example, I’ll tell you about my personal favorite Batman work, out of all the comics and movies and shows and games. My personal favorite Batman work is the 2008 Christian Bale/Christopher Nolan/Heath Ledger one: The Dark Knight.

Are you disappointed to read that? I’m a bit disappointed to write it. When I want back through all my various Batman stuff, I was hoping that I could claim that some obscure comic or episode of the animated series or something was my favorite. Instead, I had to pick the Batman thing that’s probably attained more mainstream success and critical acclaim than any other.
Continue reading 〉〉 “Doing Batman Right 2: The Core”
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