I feel like we’re overdue for another SoldierHawk visit. I like to invite her on the show when she’s finished with a game, and right now she’s playing through three games at once. Hopefully we can make another visit happen before the end of the year.
Continue reading ⟩⟩ “Diecast #232: Desert Bus, Stan Lee, Superhero Movies, Grand Tour Game”
Last week I ran a poll asking people how they thought Blizzard would respond to the recent controversy. Too late I realized I’d conflated two different ideas:
1) How will Blizzard handle this short-term PR problem?
2) How will they change their behavior in the future?
As a result, the answers were muddled. Here’s the chart:
Continue reading ⟩⟩ “Blizzcon Survey Results”
I really love the YouTube Channel of Patrick H. Willems. He’s done some solid work over the years. I think I’ve watched his entire channel twice by this point. How to Make a Perfect Action Scene is brilliant and Marvel’s The Defenders: Why is the Hand So Boring? answers a question that Netflix probably should have figured out about four years ago.
Over the past handful of years I’ve had to pay more attention to narrative and structure because the videogames I critique are so often designed and marketed with a huge emphasis on their stories. To do a proper analysis I need to understand what they were trying (and often failing) to accomplish in a cinematic sense. Which means that I’ve spent a lot of time watching stuff from filmmakers-turned-YouTubers. PHW is one of the better examples of this.
A few weeks ago he published SHUT UP ABOUT PLOT HOLES. I knew the video was going to get him into trouble the moment I saw the title. At a couple of points in his essay he even says, “You’re watching movies wrong.” That’s provocative to the point of being flame-bait, although I doubt he intended it that way. As of this writing, SHUT UP ABOUT PLOT HOLES has more views than any of his other work, but it’s also the most intensely disliked. It’s got a 30% negative rating, which is way out of norm for the channel.
Continue reading ⟩⟩ “Shut Up About SHUT UP ABOUT PLOT HOLES”
My column this week is a breakdown of why the response to the Diablo: Immortal announcement was so negative. I tried to keep the outrage distant and abstract and just look at this from the point of view of a PC-centric audience.
Having said that, how bad was the outrage? The big meme-worthy moment was when one guy asked the presenters if the announcement was an out-of-season April Fool’s joke. Sure, that’s a little rude. But if I just spent hundreds of dollars to attend a convention focused on classic PC games made by Blizzard and the main event was a shallow phone game that wasn’t made by Blizzard, I’d probably be pretty miffed too. Where is this supposed outrage? The toxicity? To me it feels less like outrage and more like annoyance and disappointment. I’m sure we can go on Twitter and find some loony spewing personal attacks at the developers, but if that’s your standard for public outrage then literally everything is an outrage because there’s always That Guy.
I think it’s still a controversy worth talking about, simply because it shows a sudden shift of behavior in a major company. It’s also a pretty good example of a major miscalculation that seems obvious in retrospect.
So what happens next? Right now it feels like anything is possible and nothing is likely. Blizzard PR seems to be AWOL, but I’m guessing this caught them flat-footed and they’re scrambling to form a strategy. Will Blizzard double down? Will they backpedal? I’m curious what everyone thinks, so let’s do a poll:
Continue reading ⟩⟩ “Experienced Points: The Last Bastion of PC Gaming Goes Mobile”
Alec Ryder walks up to the alien machine and holds up his hand. A huge starmap(?) appears, along with an alien symbol. The electrical storm stops, the skies clear, and everything is fine.
Except!
A blast of energy knocks Alec and Sara off the platform. Sara falls and busts open the faceplate of her helmet.
This entire section is a disaster of confusion, contrivance, and contradiction. This is the big moment when the player becomes the Pathfinder, and none of it works. This is the point in the story where Mass Effect Andromeda slides into the bad habit of self-defeating plot-points in the style of Mass Effect 2 and incoherent hand-waves in the style of Mass Effect 3.
At the start of the mission, Sara fell out of the destroyed shuttle. She landed hard and cracked her faceplate. Her suit began leaking and she started to suffocate in the poisonous atmosphere. Then she took out a little gizmo and repaired the faceplate. Boom. Fixed. All good.
So now she breaks her faceplate again. The most natural thing for the audience to assume is that the previous helmet-smashing incident was a setup for this one. It’s completely reasonable for the audience to expect that – when presented with the same problem – the protagonist will employ the same solution.
Continue reading ⟩⟩ “Andromeda Part 5: The Pathfinder”
This week we bring you yet another show, now with 15 extra minutes of show. You get 25% more show for the same money. That’s a good value! On the other hand, the first 25 minutes are basically a spoiler for my column later in the week.
Show notes: Continue reading ⟩⟩ “Diecast #231: Diablo Immortal, Witch Watch, Enduring Games”
The last time I saw Close Encounters of the Third Kind was in the early 1980s. I was a kid, and I watched it on television. Some parts of it were too scary for me. The rest was too strange for me to understand.
It popped up on Netflix two nights ago and I fell in love with it. Spielberg was only 33 when he wrote and directed it. Most filmmakers have a rough early period of awkward films before they hit their stride, but apparently Spielberg was born a master of cinema. Must be nice.
The film has this iconic five-note tune that the characters use to communicate with the aliens. Even if you’ve never seen the movie, you’ve probably heard the notes. The movie was stuck in my head and as part of unpacking it I turned those notes into a song.
Every creative endeavor has its downside. Writing a story is fun, but proofreading is boring. Programming is fun, but debugging is a chore. Likewise, it’s fun to come up with melodies and rhythms, but mixing and producing sucks.
Continue reading ⟩⟩ “Bad and Wrong Music Lessons: Getting Closer”
This is a massive step down in story, gameplay, and art design when compared to the 2014 soft reboot. Yet critics rated this one much higher. What's going on here?
We were so upset by the server problems and real money auction that we overlooked just how terrible everything else is.
Team Cap or Team Iron Man? More importantly, what basis would you use for making that decision?
What is this silly word, why did some people get so irritated by it, and why did it fall out of use?
C++ is a wonderful language for making horrible code.
A video discussing Megatexture technology. Why we needed it, what it was supposed to do, and why it maybe didn't totally work.
Small changes to the animations can have a huge impact on how the audience interprets a scene.
Why are RPG economies so bad? Why are shopkeepers so mercenary, why are the prices so crazy, and why do you always end up a gazillionaire by the end of the game? Can't we just have a sensible balanced economy?
Let's do some scripting to make the Starcraft AI fight itself, and see how smart it is. Or isn't.
Scenes from Half-Life 2:Episode 2, showing Gordon Freeman being a jerk.
T w e n t y S i d e d
