T w e n t y S i d e d

This part is a lot more painful if you don’t know where you’re going. There are some dead-end branches in the underwater hike, so it’s possible for a player to go all the way down a path, then have to turn around and hike all the way back, then get confused which way they were originally headed and end up backtracking even more. I say this from experience.

Also frustrating is that it might take you a couple of tries to get the timing right on the shark-killing emitter. If you hit it too soon – while the shark is still out of range – then it will probably still be on cooldown when the shark reaches you. Maybe then you’ll think you need to wait until the last second, but the game actually triggers the insta-death “eaten by a shark” animation before it actually reaches you.

None of this is all that hard or confusion, but it’s also not entirely clear and if you don’t happen to guess things right on the first try then you could end up repeating parts of what is already a really tedious endeavor.

We spent so much time dumping on how bad this “underwater mosey” gameplay is that we often overlook just how sloppy the RPG stuff is. You finally meet a couple of people who immediately try to kill you because they’re afraid you might try to open a door. They don’t know what the situation is and they don’t know why you’re here. As far as they know, the problem could be is solved and you’re the rescue party.

Yes, some people crack under pressure and behave irrationally. Except, there are two people here and they both seem to have gone the same kind of arbitrary crazy/stupid in the exact same way.

But fine. Two murderously crazy people. I’ll go with it. But then once you open the door your dialog options are: (Comfort) (make peace) and (shout). So far the game has been willing to let you pointlessly murder and extort harmless peasants wherever you go, but then you meet two people who the player might have some justifiable reason to want to kill, and suddenly the game railroads you into a long, mostly-friendly conversation. (Although it does let you turn back into a murderbot at the end.) Yes, this was a dose of much-needed exposition. But maybe the game shouldn’t give you a reason to want to kill essential exposition dispensers. Or at lest allow the player a few lines of dialog to frame this as an interrogation.

And then at the end the big mystery is resolved with a massive info dump from a couple of NPCs we just met.

It’s not like this ruins the game or anything. It’s just a short, kinda dumb scenario at the end of a long boring hike.

Shamus Young is a programmer, an author, and nearly a composer. He works on this site full time. If you'd like to support him, you can do so via Patreon or PayPal.

Listening to the guy in the locker, I’m pretty sure this is the Davik Kang voice actor again.

This part of the game is a meandering slog with lots of backtracking. So Rutskarn decided to run a 2nd Edition D&D game DURING the show. The dice delivered to us three completely unremarkable peasants during character creation, and then things went downhill.

I don’t want to spoil the adventure, but we will indeed face deadly danger, while making no discernible progress on the adventure Rutskarn devised for us. Indeed, the quest hook itself was nearly too challenging for us, and it involved little more than sitting in chairs and talking.

Shamus Young is a programmer, an author, and nearly a composer. He works on this site full time. If you'd like to support him, you can do so via Patreon or PayPal.