Here are the rest of my thoughts on the Ubisoft show. As before, the whole 1 hour, 50 minute ordeal is in this video at the top, and my text synopsis is below.
Link (YouTube) |
Continue reading ⟩⟩ “E3 2018 Day 3: Ubisoft Press Event Part 2”
This is it. The last of the E3 streams for me. This one ran long in terms of commentary, so I’m going to make it a two-parter. As before, I streamed this show along with Ross, who worked on Good Robot with me. He works at Ubisoft now, and was streaming this event from inside the Ubi offices.
We start off the pre-show with some talk about Uplay and the Ubi offices that I can’t easily summarize here. As before, I’ve got a brief text-based reaction below the video:
Link (YouTube) |
Continue reading ⟩⟩ “E3 2018 Day 3: Ubisoft Press Event Part 1”
I went into this presentation with a massive chip on my shoulder. I’m always sharply critical of Bethesda on a creative level, particularly when it comes to things like narrative, dialog, playtesting, QA testing, interface design, art style, pacing, combat mechanics, PC support, sound design, presentation, user choice, character design, system requirements, physics, scripting, animation, game feel, respect for legacy source material, enemy design, lighting, and Todd Howard’s annoying half-smirk. I was ready to hate on these guys for an hour and a half.
But when it comes right down to it, I think they won me over. I liked several of the offerings. I was genuinely excited about others. I even enjoyed some of the presentations for games I don’t care about. And in the end, I wound up laughing at Todd Howard’s jokes instead of laughing at Todd Howard directly. It was a good show, with solid titles, well presented, with just enough levity and self-awareness to disarm me.
If you watch the video, take note of how many times this happens:
Me, shouting at Tood Howard, “So are you guys going to finally get around to fixing [longstanding annoyance]?!?”
(5 seconds later)
Todd Howard says to the audience, “And yes, [longstanding annoyance] is no longer an issue.”
Me: “Huh.”
The text summary is below the video:
Link (YouTube) |
Continue reading ⟩⟩ “E3 2018 Day 2: Bethesda Press Event”
More connection problems plagued this event for me, so the show was fragmented into several streams with annoying continuity gaps between them. Rather than posting the raw mess, I’ve trimmed it down to the coherent bits and omitted the stuff I don’t care about.
As before, the text version is below for the non-video folks.
Link (YouTube) |
Continue reading ⟩⟩ “E3 2018 Day 2: Microsoft Press Event”
I’m very busy with E3 this week and didn’t have time to come up with good topics. So we emptied out the mailbag.
Show notes: Continue reading ⟩⟩ “Diecast #214: Mailbag Clearinghouse”
Streaming is always a complicated process. You’ve usually got about six different bits of technology all strung together. My usual setup is Open Broadcaster + a webpage for chat + my webcam feed + ManyCam Studio + a AAA videogame. Add in the challenge of balancing multiple audio sources, keeping FPS reasonable, all the technology on Twitch’s end, and the capricious nature of Windows, and it’s a miracle I can do it at all.
All of this is to say I didn’t get it just right this time. The audio gets a bit wonky in spots and there’s that mishap in the middle. Whoops. I’m sure I’ll get the hang of this just about the time E3 winds down.
Below are my thoughts in text form, for you non-video types.
Link (YouTube) |
Continue reading ⟩⟩ “E3 2018 Day 1: EA Press Event”
It’s been a while since I last streamed, hasn’t it? In case you missed it, here is the stream I did of Destiny 2 on Wednesday, minus the first two minutes where my mic was muted:
Link (YouTube) |
I really don’t like the special ability of the Warlock. Also, everything cool about him vanished as soon as the tutorial ended. Cool outfit? gone. Cool face? Obscured by boring helmet. Cool shotgun? Replaced with a much more powerful but bland SMG of some sort. Technically all characters go through this aesthetic downgrade once you start the game, but it was really pronounced for my Warlock. If we do another stream, I’ll probably use a different character.
A music lesson for people who know nothing about music, from someone who barely knows anything about music.
Let's count up the ways in which Bethesda has misunderstood and misused the Fallout property.
Here is a 13 part series where I talk about programming games, programming languages, and programming problems.
A programming project where I set out to make a gigantic and complex world from simple data.
An unhinged rant where I maybe slightly over-reacted to the water torture of Souls evangelism.
His problem isn't that he's dumb, the problem is that he bends the world he inhabits.
A programming project where I set out to make a Minecraft-style world so I can experiment with Octree data.
Here is how I'd conquer the game-publishing business. (Hint: NOT by copying EA, 2K, Activision, Take-Two, or Ubisoft.)
Deus Ex Mankind Divided was a clumsy, tone-deaf allegory that thought it was clever, and it managed to annoy people of all political stripes.
Grand Theft Auto is a lousy, cheating jerk of a game.
T w e n t y S i d e d
