T w e n t y S i d e d
From The Archives:
Grand Theft Auto Retrospective
This series began as a cheap little 2D overhead game and grew into the most profitable entertainment product ever made. I have a love / hate relationship with the series.
Why The Christmas Shopping Season is Worse Every Year
Everyone hates Black Friday sales. Even retailers! So why does it exist?
Secret of Good Secrets
Sometimes in-game secrets are fun and sometimes they're lame. Here's why.
What is Vulkan?
What is this Vulkan stuff? A graphics engine? A game engine? A new flavor of breakfast cereal? And how is it supposed to make PC games better?
The Brilliance of Mass Effect
What is "Domino Worldbuilding" and how did it help to make Mass Effect one of the most interesting settings in modern RPGs?
I think there’s a little more to it than the vanity that Shamus mentioned. A big part of it is the visual language of movies and video games which will often start with something like a bird’s eye view of a city before zooming in on the battle raging in the streets, or the camera will scroll through the cavern showing the dripping stalactites and godrays coming from nobody knows where before arriving at the shape of the dragon. Another thing is that talking is slower than seeing. Yes, your main focus is going to be on the battle, but if you were looking at it you would immediately grasp and process a plethora of information such as “built vertically against the mountain” that take forever to describe in a way that may or may not give the players the correct mental image.
Of course there are situations and extremes where this goes beyond justified.
Also, you want to end the description on the things that invite the action.
It is possible to mention the crucial facts first, follow with descriptions (possibly shaped by the crucial fact), and then end with a call to action.
“You arrive at the battle of Minas Tirith at last. The once verdant fields have been trampled by the horde of orcs surrounding the city. Rocks flung by countless siege engines slam into the ancient white towers and the ornate walls, sowing destruction in even the upper districts built into the mountainside. Dark clouds and wings of fell beasts block out the sun. Ahead of you, the orc rear guard turns around and notices you…”
Not always possible, I suspect, but it definitely was here. Which is of course the joke.
You’ve changed the original text again. You’re well within your right to do so. But the least you could do is cite the fact that you’ve made changes. Just short line along the lines of “Changes have been made to the content of this panel to better aline with the modern meaning of certain words.” You can put it below Shamus’ original commentary below the strip. Some people will still have a problem with the changes, of course, but a large proportion of them won’t, as long as you acknowledge you’ve made changes. Otherwise, it looks like you’re trying to hide the fact that you’ve made changes. And nobody likes to feel like people are hiding things from them.
Eh, that’s already been stated in an earlier comic. No point in repeating it every time.
It’s been mentioned repeatedly, the changes were discussed from the beginning, and the original version of every comic is linked still in it’s original, available to anyone post. You can even read the comic as it was originally posted.
If you prefer the unaltered version perhaps don’t read this one. It seems to bother you and life is too short to be annoyed about something that is intended to bring you joy. Be well
Believe it should be “Osgiliath”, not “Oggiliath” (Shamus’s text is fuzzy, ambiguous, and hard to read, admittedly, but that was Tolkien’s original name for the place, so it’s probably what Shamus wrote)