Mark is reading The Big U, Neal Stephenson’s first book. I remember reading an interview where Stephenson downplayed this book. It was out of print for a while, and the buzz generated by his later book Snow Crash had inflated the price of The Big U, which displeased him. It was his first effort, and I guess he wasn’t very happy with it. For that reason I’ve avoided the book.
But now that I’ve read the passages that Mark posted I think I need to check it out. Have a look at some of the PC doublespeak from the book, and keep in mind the thing was written in 1984.
Mark also mentions that he isn’t expecting much in the way of an ending. That sort of goes without saying. Stephenson is a brilliant author, but by fault or by purpose, his endings always feel hurried, confusing, and unfinished.
Steam Summer Blues
This mess of dross, confusion, and terrible UI design is the storefront the big publishers couldn't beat? Amazing.
This Scene Breaks a Character
Small changes to the animations can have a huge impact on how the audience interprets a scene.
Seven Springs
The true story of three strange days in 1989, when the last months of my adolescence ran out and the first few sparks of adulthood appeared.
The Gradient of Plot Holes
Most stories have plot holes. The failure isn't that they exist, it's when you notice them while immersed in the story.
Programming Language for Games
Game developer Jon Blow is making a programming language just for games. Why is he doing this, and what will it mean for game development?
I quite enjoyed it, way back when. But now that you raise the topic, I’d rate the ending as slightly inferior to Snow Crash (spoilernevermind why, basically men’s issue advocacy and activism) but much better than either Cryptonomicon and Diamond Age, which both left me feeling significantly unsastisfied.
NB: haven’t read his new pseudohistorical trilogy yet, for what that’s worth, while OTOH I do consider his nonfiction book ‘In The Beginning Was The Command Line’ to be a seminal work of historical=>modern analysis.
I haven’t gotten much farther in the book, but I’m quite enjoying it so far… like you noticed, it’s a little surprising that it holds up so well, considering that it was written in 1984.
As for Stephenson endings, aside from Diamond Age (which was still good despite the ending) and Quicksilver (which was the first in a series), I haven’t really had any problems with his endings. Zodiac and Snow Crash were fine, as was Cryptonomicon (though I guess I could have done without the “Andrew Loeb, jungle warrior” sequence). The endings for The Confusion and The System of the World were both great, I think…
I have no idea what “The Big U” is about, but I can’t look at your site without singing its potential theme song.
“Cast in the name of God, ye not-ta guilty! We have come to terms, Big U!”