I know earlier I praised several aspects of the Pre-Sequel gameplay. I don’t want to leave you with the impression that this is a brilliantly constructed game. This is a very uneven game, and for every brilliant idea they had to balance it out with something annoying, broken, or terrible.
And then you run into something like the encounter with Deadlift, which is all three.
The Setup
Janey Springs is kinda cool but she's no Mr. Torgue, much less a Tiny Tina. Like a lot of the things in Pre-Sequel, she's serviceable yet not as good as what came before.
Early in the game you make friends with Janey Springs. She’s your tutorial questgiver and her job is to introduce the new mechanics (oxygen management, low-grav jumping, laser weapons) while also giving a little exposition and maybe telling the occasional quasi-joke.
She sends you to kill the banditHere on the moon they’re not bandits. They’re “scavs”. Which is apparently what moon people call bandits. Whatever. They’re people who shoot player characters without provocation. Doesn’t matter what we call them. boss Deadlift. She has a few reasons, but none of them really resonate. She wants him dead because he’s “a dick”, and because he has “something” you’ll need to get into Concordia. Getting into Concordia is the real goal here.
This feels a lot like the old lazy Borderlands 1 design where you have to kill a bandit king to get a key to enter a city that shouldn’t be locked in the first place. This is totally fine if there is a steady supply of jokes and lampshading to keep us engaged, but… there isn’t. Janey’s reasoning isn’t funny, Deadlift himself isn’t funny, and this setup isn’t funny.
Continue reading 〉〉 “Borderlands Part 20: Deadlift”
Shamus Young is a programmer, an author, and nearly a composer. He works on this site full time. If you'd like to support him, you can do so via Patreon or PayPal.