on May 5, 2016
It’s finally time to talk about Kai Leng. Except not. Because first we need to talk about…
Dungeons & Dragons
Imagine you’re going to play one of those nerdy tabletop games with your friends. The group has a kind of grounded, low-key approach to worldbuilding. The world is basically “middle-ages Europe”-ish with a very understated dash of magic. Rather than invent new characters for my hypothetical game, let’s just borrow a few. The players around the table have the following characters:
Boromir: A son of nobility but not royalty, he’s a stalwart man who trusts more in arms than in magic. His mind is often on his troubled homeland.
Frodo: A gentle idealist. He hates violence, but understands the necessity of it. He’s reluctant to draw blood, but also curiously wise and forward-thinking for a halfling.
Gimli: Dwarf. Proud. Practical. Loyal. Simple.
Xantar Shadowwalker: A reincarnation of an elven god that was slain by an army ten thousand years ago. He’s a half-elf with a clockwork robo-arm. He carries a glowing samurai sword, wears a Zoro mask and a black cape, and has glowing white eyes. Xantar doesn’t have a fixed personality, but seems to jump from being a swaggering sarcastic joker, to a gravel-voiced agent of vengeance, to an unflappable gentleman, depending on whatever will make the biggest scene.
Some people will complain that he clashes “thematically” with the setting. And he does. Others will worry about his character being overpowered. And he probably is. But that’s not really the problem with Xantar. The problem is that Josh is trying to make him the main character. Xantar is so outlandish that he will stand out in every scene. He’s screaming for attention, and the other characters look like extras when they stand next to him.
The other players are here for a cooperative and symbiotic experience. They want to work together to make an interesting story about their adventuring party. Josh is here for a competitive and parasitic experience. He sees the other players as people to play audience to his one-man show of attention-whore badassery.
Josh is fundamentally a problem player in this particular group. Unless his real-life charisma is so astounding that people don’t mind mind playing his sidekicks and passively watching his antics for hours at a time, then he’s a social vampire and he’s going to suck the life out of the game. Good D&D games – and even a few friendships – have been ended because of selfish assholes like Josh, who entertain themselves by magnifying their own glory at the expense of others.
Now imagine Josh isn’t just a player. Imagine Josh is running the game. Everyone still has to play grounded characters like Boromir and Frodo, but Josh designs the villains using the same self-indulgent approach he used to design Xantar.
That’s how you end up with Kai Leng.